Day 2: Plotting Villainy and spelling that word

Hey, my one reader!

To recap, this is a detailed description of how to plot. Remember, I’m going kicking and screaming. Also, if you have ideas for improvement, toss ’em in a comment because it’s always better to do this by community. [If, however, you are that person who says “the world doesn’t need your book,” remember, the world doesn’t need your negativity, either, and nobody said anything about need, anyway.]

Where were we? Ah, yes, we were talking villains, and Angie and Becca’s one of many thesaurrii (shakes fist at Latin) which had a whole bunch of fine advice.

I’d started with “rich a-hole” for my villain, but that’s a bit on the lite side. A lot on the lite side. It’s horrible, shallow, and wretched.

I do, however, happen to have this cool little excel spreadsheet that takes all the good traits and the one negative trait and randomly throws them together. It’s to give inspiration. It’s no worse than a dart board.

The categories are:
ACHIEVEMENT
IDENTITY
INTERACTIVE
MORAL
Negative

I have no idea why Negative gets lower case while everyone else gets all caps, but hey, you get what you pay for. I hit the space bar and enter and I get:
Efficient
Sensual
Trusting
Protective
Showy

I’m going to go to the side a bit and say this person incredibly powerful and stinking rich, which in this universe is a Grand Senator, one of the thousands in the millions of planets. Oh, calm down, not all of the planets are habitable. I know my science. Sort of. If he (assuming its a he… what would change if it were a her?) has this position, it’s because he inherited it or he clawed his way up the ladder and offed some other person who wasn’t worthy and didn’t want it as bad. What can we do with Achievement Efficient? I’m looking at the Positive Traits Thesaurus Guide and it says:
Having a “type A” personality
Having a strong drive to succeed
Growing up in a busy, active family
The need to be productive
Being highly active and involved; needing to manage one’s time and energy wisely

Do those sound like qualities a high up leader would have? Sure. That fits. He’s a GSen because he’s efficient, efficienter than the other guys. Shakespeare can make up words, so can I. Why give that dude a pass? In Black Adder Back & Forth (1999), a time traveling Black Adder decks Shakespeare in a corridor and says:
Black Adder: That is for every schoolboy and schoolgirl for the next 400 years. Have you any idea how much suffering you’re going to cause? Hours spent at schooldesks, trying to find one joke in a Midsummers Night’s Dream, years wearing stupid tights in school plays, and saying things like ‘What ho, my lord,’ and ‘oh look, here comes a fellow,’ talking total crap, as usual.”
(Black Adder kicks Shakespeare)
Black Adder: Oh, and THAT is for Ken Branagh’s endless uncut four hour version of Hamlet.
Shakespeare: Who’s Ken Branagh?
Black Adder: I’ll tell him you said that. And I think, he’ll be very hurt.

Right, where were we?
Making the villain. Okay, center. Is Sensual going to do it as Identity? Not sure.
Having a deep love for all things and experiences
Being highly exploratory
Having a creative or artistic nature
Having a heightened awareness of and sensitivity to one’s senses
Having a strong libido

Maybe that last one. But the rest don’t jibe with a powerful GSen and don’t seem to work with the kind of villainy we need. I’m tossing it out and rolling the dice. Instead, I got Just. Which also doesn’t really work, I mean, it’s “having a strong sense of fairness.” Just going to throw this out there, what this person is going to unleash isn’t fair in the slightest. It’s perversely unfair. I need a different motivator in the Identity department… although, perhaps, maybe they’re conflicted? There’s this public persona, GSen Jones is this amazing man who seeks justice and wants to help the people who at the very same time happens to enjoy pulling levers and doing awful things because he’s the opposite of what he wants people to think he is. Does this work? I think we can use it. Can someone have a false identity? Of course they can! What’s the villain’s real identity? That, I think, we will examine tomorrow.

Day 1 – plotting (to Take over the world) the sci fi novel

Hey all.

Today, we’re going to go through the gritty parts of planning a novel.
I am a devastatingly ineffective seat-of-the-pants writer. I’d rather stick a blunt toothpick in my eye than plot out everything.

It’s more than apparent to me that I must embrace the plotting techniques and methods to get something done.

I also love it when I get good examples of the process of doing things, since I’m the dense dude that otherwise says “Show don’t tell? What’s that mean?” Maybe I’m the hands-on learner. Maybe I’m slow. Here, I’ll walk you through my process.

First, I’m going loosely on Blake Snyder’s Save the Cat. The caveat is that Blake is writing for screenwriters, which means that somehow it’s different storytelling. I dunno about you guys, but movies and books are still telling a story and the audience still wants their particular plot points to happen when they’re supposed to happen. That’s why, when I read a novel, and there’s no all is lost point (we just callump our way to the final battle), I’m glancing at the corner of the Kindle and wondering, “hey, did they forget a major pinch point?” There is no difference. It’s like sausage from the air fryer or sausage from over. Er… you’re right, the air fryer is 1000 times better. Still, my point is that storytelling doesn’t change just because you make the format a little different.

Right then. To it. I picked up the excel spread sheets for Blake’s Save the Cat from Jami Gold, Paranormal Writer (which leads to suppositions: Does she float when types? Is incorporeal while plotting? Does she have a EMF detector running while she walks to kitchen to eat snacks? I’m sure the answer is in there. Oh. It’s on the home page. She writes books that are in the paranormal romance and urban fantasy genre. Duh. All I had to do was look) who happens to have a couple of spreadsheets on the same page. I naturally downloaded all of them, but the one I think I’m going to use, rather than save the cat (sorry Blake) is Master Story Planning Worksheet based on Larry Brook’s Story Structure. Hey! I’ve got that book, too. I should read it. * No, wait, I have Story Engineering. Sorry. They’re all the same. Or they’re different.

I have read Blake’s book, and it’s impressed on me the need for structure. And having these beat sheets, these are magic because they lay it out so simply… okay, you’re saying BS, it’s not easy, otherwise everyone would do it, and we wouldn’t have 2 million broken books for sale on Amazon. And you’re right! See, didn’t that feel nice? Okay, funny side note, there’s a lot of fun books about “how not to suck” or “write a novel that doesn’t suck” and so on. Be careful with the search term “suck.”

Back to process. I open a Word file and begin to type details, because the excel spreadsheet wants text, but a lot of this is just blurting backstory as necessary. One thing I remember from improv classes was the idea that you would fail to define something. So, I could start with “Um, she had a bad childhood,” and that may be fine for now, but by failing to define the bad childhood, I am waffling and that’s a poor way to treat the reader. If I define it specifically in backstory documents (which will not necessary all be used; the horror, mistah Kurtz!! Backstory is there for me, the author, to draw the intricate details and create consistent and useful information drops as I go, not to torture the few readers I have with unnecessary details. Like this blog. Haha, just kidding. You love this stuff, otherwise you’d be off reading something else).

So, no, wait, we’re going to have to make a logline. What’s something quick to do? Erm, idea: Rich dude decides to do the ultimate test of genetics vs. environment: he has two identical embryos come to term, one is raised in a rigorous rich environment, the other is raised in a poor environment, then he tosses them into a similar disaster to see who comes out on top. So, hunger games meets eugenics vs. the most dangerous game. Let’s winnow it down a little bit, because that’s ambitious and I really need to have just one protagonist. Having two protagonists might be interesting, in doing a side-by-side up to the point where they both meet, but that also makes for a far more complex structure. So let’s go back and fix that log line. Also, what’s going to be the end point of the book? Let’s map that out a little bit, then go back and fix the log line.

My perception is that we start with an enlisted person in the Imperial Marine Corps. Why the IMC? Dunno, like the idea of space marines. It could be navy–> the people who populate through the stars, etc. The point is, the poor version of the two will be enlisted, and that’s the one we want to follow, rather than the rich one. I’m assuming the rich one might be an officer in whatever the armed force is. Either way, one or the other, it doesn’t truly matter, just need to pick one. Why the armed forces? That lets us even the playing field because then the bad guy can use his influence to move them into an ideal position for the big test.

We’re now looking at the motivations of the bad guy, who we’ll have to define before long, and also apply a process of giving him the proper characteristics to be a good villain. Also, why do I always misspell Villain? Thanks spell check! For the characteristics, I’m going to pull out THE NEGATIVE TRAIT THESAURUS: A Writer’s Guide to Character Flaws Copyright 2013 © by Angela Ackerman & Becca Puglisi which is this huge tome of negative traits.

Hmmm, I haven’t looked at this in a long time. I’m leafing through it, and see a section called: “VILLAINS AND THEIR FLAWS.” Right before it is a section titled “PULL FROM YOUR OWN EXPERIENCE,” and I’m thinking Angie and Becca are going at it a little dark. I mean, that’s going to take some work, I’m not typically a villainous guy, so if I’m drawing from my own experience… n/m, that’s for the protagonist. Onward!
Here’s the TOC for this section:

VILLAINS AND THEIR FLAWS
STRIKING A BALANCE
RESPECT THE ANTAGONIST
CHOOSE COMPLEX MOTIVES AND GOALS
DIG AT HIS PAST UNTIL HE BLEEDS
CHOOSE FLAWS THE ANTAGONIST VIEWS AS STRENGTHS
YOUR ANTAGONIST IS THE PROTAGONIST’S MIRROR
FATAL FLAW AND TRAGIC FLAW
VILLAIN FAILS: DIAGNOSES AND TREATMENTS
The “Mua-ha-ha” Villain
The Abysmal Leader
Looks Like a Duck, So It Must Be A Duck
Emotionless and Calculating
Miles Beyond Redemption
Too Self-Absorbed and Careless To Live

That’s a lot to absorb, but I’m going to skip to the Villain fails (they apparently know how to spell it. They must have spell check, too). Originally, my villain was going to be a rich guy. That’s all. There’s different kinds of rich guys, though, and this one needs some fleshing out to make him believable, sympathetic, not a complete douche, and with motivations that make sense. All of these fails are the lazy man/woman’s fallbacks. I don’t want to do a bunch of pschoanalysis on what makes the big bad boss tick, yet, here’s these two characters saying they’d suggest that I really really try. Really. When the experts say “hey, you do you, but we think it’ll go easier if you do this instead of that,” sit up, pay attention, and do it that way. That’s why we’re not going seat of the pants, right? It’s because pantsing is lazy and always leads to more work. (If you’re going to squawk about that, don’t. Someone always seems to want to argue about this. But there’s nothing to argue.)

So, tomorrow, we will flesh out the antagonist to do the things that make him not-a-monster but a monster.


Your Cliche Just sent me to Full Metal Jacket

I remember Mrs. Morris’s creative writing class when she said “Avoid cliches like the plague.” Since we were in high school, we thought it was moderately clever. It makes the point, which is to avoid cliches when writing.

That’s something I ran into in a fantasy book. There I was, amongst the dwarves. They’re in a camp, it’s an army, and they’re doing army stuff. Now, a lot of that looks pretty modern, and if you research the history of armies, you see that stuff like uniforms and equipment doesn’t really become a thing until the 1700s. Aside from that, this -is- a fantasy so I’ll accept most of it as being part of the fantasy.

Then there’s this gem, when a recruit calls some sergeant sir. Oh yeah, you know what it was:
“Don’t call me sir! I work for a living.”
Bam! Instead of reading what was a pretty good book up to that point, I’m dragged out of it and thinking about where I’ve seen/read that cliche. Mostly movies and such with modern day armies, because it’s a fairly modern phrase, I think.

And the cliche is American, I’m also pretty sure, though other languages and cultures might have something like it.

I’d say that if you are really attached to a cliche, to try rewriting it in the parlance of your particular culture, time, and language. Cliches are shorthand for certain modular pieces of speech that we use, thus you can use them to establish characters of being from a particular culture and class and time.  They’re not all bad. If a character speaks in cliches, that’s just what they do. Just, as an author, don’t flip your wig when you use them. Now, to go take a powder.

Which leads up to the action packed Chapter 25, sci fi. Question: How much action can you follow in a scene?

I’m writing this scene, and it’s got 3-4 things happening simultaneously, so that information is coming in more or less at the same time.

Can you follow the scene? Is it too chaotic? IRL, I don’t know anyone who can listen to two radio nets at the same time and understand both. You can only focus on one at a time. Another neat skill is using two radio nets with two different audiences and inhabiting the space in between.  And so, the nature of combat is that you get bits and pieces of things, but you will never get the entire picture, nor will you get all the information you need (i.e. casualties, a team’s status, where the enemy is, what are you doing to respond to it, why isn’t that team answering the radio, where is your team, and what does your chain of command want you to do that’s going to be different from your autonomous reaction to events that you will need to carry out based on their understanding of things you have no idea about?).  See? It’s never just easy.

Here’s the text:
—————————————————

Team two breached the control room with careful precision born of repetition in standard military procedure. Private Mu “Cowwy” Chen said, “keep your hands in view, and nobody gets hurt.”

Two station personnel raised their hands, and the single ACP marine in the room —an officer in green armor with no helmet—turned his head to affix them with a cold stare.

“You too, sir,” said corporal Vims, who’d been last through the door. “Zoob, go relieve him of his weapon for the time being.”

Private Zuberi approached the officer, identified by his armor as Captain Stantac, G. “Sir, I need your weapon.”

“You have no authority to do this,” the captain said. “Who is your superior officer?”

“Sir, I need your weapon.”

“And if I refuse?”

“I’ll shoot you as a collaborator in league with the saboteur of this wormgate, sir. With all due respect, I’ve asked you twice politely, and my superior officer needs me to accomplish my mission, and I won’t ask politely a third time.”

“I’ll have your ass for this, private… Chen.” The officer said.

“Yessir. I’ll return it to you as soon as I have the word that you are stood for.” Chen took the proffered weapon and slung it on his back.

“Well done, Chen,” Radawski said as he entered. “Captain… Stantac? We are here to prevent the destruction of this wormgate structure. What is your mission here?”

“Who are you?” Stantac said.

“Captain Radawski, ACP. Our team was inserted here to prevent a saboteur from destroying the wormgate and cutting off this system from all other parts of this galaxy. So, again, captain, what is your mission here?”

“The same. We are to prevent any interference with the wormgate operations by external sources… such as yourself.”

“We are not here to interfere with the operations. Rather, we had an urgent need to track down the saboteur and prevent further damage.”

One of the two techs in the room cleared his throat. “Can we put our hands down? I need to do work or there’s gonna be problems when that freighter finishes its transition.”

Radawski viewed the people in the room. The other technician looked at his control panel. “Incoming coms. We’ll need to answer that, or…”

“Take the call. Cowwy, secure the captain and guard him for now. Vims watch the techs. Guajardo, need to secure this area with team one.”

“Guajardo copy, on the way.”

“You two, where is the station master?” Radawski asked the techs.

“Probably in his quarters.”

“Guajardo, belay that, send team one to secure the station master, bring him to the main control center.”

“Copy, team one to secure station master, on the way,” Guajardo said.

“Sir, we have a problem,” Vimhefo said.

“What kind of problem?” Radawski said.

“A Imperial Frigate coming through the ‘gate about… is this a milli?” Vimhefo asked a tech, reading the tech’s screen. The tech nodded. “So, an Impfrig is on the way in less than four millis. Timer, 600 seconds, countdown, commence now. Hey, this list on this screen, this is stuff already transitioning, yes?” The tech nodded again.

“How bad is it?” Radawski said.

“That’s the Imperial fleet response to our activity,” Stantec said. “It will be destroyed by our fleet once it is outside of the immediate vicinity of the mgate—or it may be phased out by your saboteur.”

“Not my saboteur, thanks. Phase out?” Radawski said.

“Something done to ensure the ship is not whole or functional from its transition,” Stantac said. “A neat piece of work to kill the ship without effort. Very efficient.”

“And you think this isn’t going to be a problem once the Empire sees what we did here? You phase them, they’re going to phase you.”

“Team one, contact front, under fire!” Radawski’s identifier indicated private Huff made the broadcast.

“Guajardo copy. Fix them there Huff, moving to flank.”

Radawski checked his map. He could see that team one, Tub, Peft, Mackie, and Huffy—his suit had their nicknames—had been moving up a hallway to the Station Master’s office, but all four icons were in a hallway junction. Their suits reported the approximate position of the hostile and estimated numbers, but the hostile was not on the ACP identify friend/foe. Guajardo was moving that direction but to one side, paralleling the fight.

“Sir! The Sotouboua Castle has completed its transition!” Vimhefo said.

Radawski looked at the techs. “That’s the freighter?”

“Uh, yessir. The freighter. Sorry sir.” Vimhefo said.

“Peft is hit!” Mackie yelled in the radio. “He’s down!”

“What’s the time for that impfrig to hit? How much time do we have?” Radawski said.

“Keep them fixed team one, covering fire!” Guajardo said on the radio.

“Countdown is at 567. Sending it to your suit, sir.” Vimhefo said. A countdown popped up in Radowski’s screen after he granted it permission to run.

An alarm sounded with lights on one of the tech’s consoles. The tech looked at it, looked puzzled. “Transients outbound from the freighter. It’s not clearing the gate. We need to get them clear of the gate exit, we’re going to need to communicate with them,” the tech said, looking at Radawski for permission.

“Transients?” Radawski said.

“Objects have ejected from the freighter, paths indicate they are under power and adjusting course for the ‘gate structure. Probably shuttles.”

“Go ahead and contact them.” Radawski said, walking behind the techs to get a better view of the console.

“Thank you, we’re sending text and voice. Sotouboua Castle, Sotouboua Castle, Reville Mgate, you are not clear to remain in this area, you must move immediately, this is a controlled area and there will be a collision if you do not move. Acknowledge our transmission and move immediately.”

“Got one enemy!” Guajardo yelled on the radio. “Two more are moving back, first team move up this position, clear to move. What’s Peft’s status?”

“One copy, moving, Peft is wounded, the suit is playing doctor.”

Radawski clicked on Peft’s status, and Peft’s suit reported he was severely injured in the left arm, not alert or oriented, and not stable, tourniquet was being administered with painkillers.

“Those are shuttles attaching to the ‘gate near our airlocks!” The second tech said. “Why do you people feel the need to keep attaching to our ‘gate?”

“Those aren’t my people,” Radawski said.

Chapter 24: Let’s just jump in the middle of things, sci-fi military fiction

“Captain Radawski, we’ve finished our deceleration burn, and our profile is to dock with the mgate in four millis,” said Lieutenant Winthrop over the intercom system on the shuttle.

Radawski considered a map of the massive gate, and moved a glowing spot over the area he wanted to breach through. Guajardo could see the linked map and highlighting on her suit helmet.

“Acknowledge four millis, standby for final attachment point,” Radawski said. “Sergeant, this best complies with our search plan, we breach at this sector because it will cause the least damage to any important piece of equipment at the mgate and gets us closest to the target.”

An agreement icon appeared from Guajardo.

Radawski said, “Great, sending it to Winthrop now. Lieutenant Winthrop, this is our attachment point for the shuttle, grapple to attach and maintain our presence on the mgate until otherwise ordered.”

“Copy, I have it, this looks to be an easy approach. Securing atmosphere in the cabin, and opening the ramp as soon as it’s vack. Also, we’re being hailed by ACP picket gunboat, they want to know our flight path and purpose of being here. Do you want me to maintain the radio silence until we land?”

“Affirm. Once we’ve landed on the mgate and we’re all out, you can respond that we are security force being landed on the mgate for safety and to secure it for purposes of the ACP.” Radawski switched to a command screen showing the mgate, the shuttle, and the giving distances and directions for other ships in the area. The ACP ships were all broadcasting their identification and location, with the exception of Radawski’s shuttle. “Squad, be sure your IFF transponders are set to OFF.”

A set of electronic acknowledgments came up on his screen.

“One milli to impact, all personnel secure, standby to assault,” Lieutenant Winthrop said on the intercoms.

“Everyone attach to the safety line!” Guajardo said. Each of the squad attached a tether on their suit to the safety line, one end of which was attached to the shuttle and the other end a complex grappling system that could be attached to a tie down on the exterior surface of an mgate or whatever it was the marines were traveling to. “Switch to enhanced vision, nothing here but the stars to see by.”

The shuttle decelerated hard enough to push them gently in their seats, and a few more jolts followed as the pilot lined them up and did pilot stuff. A clang announced the mating of the two structures, the shuttle with the mgate. Guajardo punched her release and gave a vocal command on the net. “Go! Go! Go!”

Corporal Tub fired the safety line grappling hook near the service door of the mgate where it attached and held. A green light shone from the device, indicating the connection was good. Tub pulled himself across on the line while first team covered him from the rear of the shuttle. There was no sense in having the entire team out in the vacuum, exposed to whatever dangers might occur.

“Accessing,” Tub said, placing an access device on the service door. Several seconds ticked by, and Tub said, “it’s not cracking. Trying a different protocol, this might be an older system.”

“Captain, the gunboat is ordering us to leave the mgate or they will fire on us,” Lieutenant Winthrop said over the general team net.

“Can we detach the safety line from the shuttle?” Radawski asked.

“Yes, that’s possible, but do you want to just leave a string of marines floating in vacuum?” Winthrop said.

“Do it,” Radawski said. First team followed Tub across a few meters of vacuum and stacked up at the door. “Lieutenant, can you release the line?”

“I can. Releasing now, your line is free, be sure to pull it free of the rear door with the last man.”

“Reel ‘em out,” Radawski said.

“Squad, everyone out of the shuttle. Last man grab the line reserve cylinder and keep it from becoming an anchor or projectile,” Guajardo said.

“This is Vimhefo, last man out, this chalk is free of the shuttle, he’s free to maneuver.”

“Winthrop copy all personnel free, shuttle moving.”

Radawski noted on his HUD that the entire squad, secured on one monofilament line, showed clear of the shuttle rear door. He was floating next to Guajardo in between the four person squads, and the line had some velocity that pulled the end weight and corporal Vimhefo around in an arc in a vacuum version of crack the whip. He hoped the wormgate was made of stern stuff and would withstand the thousands of kilograms of suit and marine that were about to collide with it.

In the dreamy reality of space, the entire line of marines, nine of them not connected to the building, swung around in a ponderous arc and impacted the side of the wormgate in strange silence and darkness. The structure of the wormgate was not illuminated on the exterior, and the wan light of Reville’s single class K red giant was like a faint flashlight shone from miles away in a light fog.

“Gimme a check-in, everyone green after impact? Captain, just send me an electronic notice, faster than voice.” Guajardo advised.

Radawski switched back to check the shuttle’s main comms frequency. “Clover 1635, stand by for boarding,” he heard, a woman’s voice. “Clover 1635, copy, will comply,” said Winthrop in reply.

They don’t know we’re here? We’ll leave them in the dark, then.

“Tubby, we need to get inside, what’s the hold up?” Guajardo said.

“It’s binary. Either it works or it doesn’t. Pregnant, not pregnant. Doing my best,” Tub said.

“Which one represents an open door, pregnant or not pregnant?” Vimhefo said.

“Set security,” Guajardo said, “Watch for threats coming on the outside of this structure, and first squad, stay locked on that door in case it opens before we’re ready.”

“Make sure suit transponders are mute,” Radawski said. “Wouldn’t do to have our little party detected by the wrong people.”

“Sir, you asked us to do that before disembarking and I confirmed our team has no IFF emissions,” Guajardo said.

“Got it!” Tub said. “I wasn’t expecting that to be as hard as it was.”

“Crack it, first team detach from safety line, go on open, acknowledge,” Guajardo said.

The structure vibrated beneath their feet, at first slight, then increasing intensity. “What is—” someone said. Radawski noted his suit was detecting something jamming common radio frequencies and answered the query to switch to laser comms with an affirmative.

“Is this jamming?” Guajardo asked.

“Detecting huge power spike!” Another soldier said.

“Look at that!”

The entire wormgate emitted white and blue electric light from the center area. The gate’s enormous size became apparent to the marines outlined against the structure by the energy pooled in the center. The prow of a ship emerged from one side of the pool, lit by the electrical discharges swirling around it.

Radawski’s suit clamped down the incoming light to keep the user from going blind, and sent short-range queries to the other suits around him to poll them on what they thought had just occurred.

“Sergeant, let’s move, get inside,” Radawski said.

“You’re right, it’s not exactly healthy eating and yoga sitting out here next to that power wash. Tub, crack it, let’s move.”

Next to them, the ship continued its exit from the wormgate. Radawski’s suit did its best to identify it, and had settled on “Freighter type, class unknown, size unknown.”

“Opening in 3, 2, 1, go!” Tub said. His three team members moved through the microgravity by detaching their feet from the metal hull and pulling with their arms through the opening, a slow ballet of suit and gun. As they were still on laser comms, Tub’s suit needed to act as a repeater since the three team members weren’t in direct line of sight of Guajardo and Radawski.

“Room is clear, one entrance, this is an airlock,” private Macala said. “Standing by for instructions. Covering the interior door.”

“We can fit four people per cycle, so I’ll go in, Team one can cycle in, and then the officers,” Tub said.

“Sounds good, do it,” Guajardo said.

“I’ve never been at a wormgate before,” said corporal Vimhefo. “That is the craziest thing I’ve ever seen.”

The freighter continued to expel from the wormgate, and only the vibration through physical contact with the wormgate hinted at the power involved.

Guajardo checked the door.

“Still cycling?” Radawski said.

“Yeah, the lasers don’t work through the door so we can’t communicate until that finishes getting born.” Guajardo indicated the freighter with an expansive wave of her arm, the one not cradling the rifle. She was crouched next to locking device and interface, her suit using sticky technology to keep her feet bonded to the surface until she didn’t want them bonded.

“Is this communication problem local, and does it go through shielding, like this wormgate? We’re going to need comms better than line of sight once we’re in there.” Radawski said.

Guajardo stepped a little around so she could see Radawski. “That’s a good question, sir, but unfortunately that’s also secret, and they don’t tell sergeants the real information. Considering that wormgates are forbidden locations—except for transiting them—it’s amazing we had the information to even get in this thing. Imperial Marines don’t get any training on this, either. It’s simply not a scenario that is imagined. I know the ACP doesn’t train with wormgates.”

“Maybe we should,” Radawski said. “As long as people are deciding that we can fark around with the wormgates and their administration, then making them secure against people with bad intentions should get bumped up.”

“Green light, the chamber is ready for the next four, opening it up, Captain, you’re first in, then Vims and his second,” Guajardo said. “Go on 3, 2, 1, open!”

Radawski pulled himself in with one arm while scanning the space with his gun up. A clear room greeted him, and he said, “Room is clear, move inside and let’s cycle this.”

“Sergeant? Team 1, we have comms inside. We’re holding the hallway and room outside the airlock until you all cycle through,” Tub said on the regular radio which used lower length waveforms to effectively communicate through the dense metals and plastics found in space and in buildings.

“Copy your last team one, we’re cycling through now,” Guajardo said as she pulled the outer door closed and began the cycling of atmosphere into the chamber.

The second group moved into the inner hallway and soon was joined by the third and final group. Radawski looked at a bulkhead identifier and consulted his map. He sent the highlighted location to Guajardo. “We’re here. As planned, we split up to three teams, FT one, FT two, and command. Can Tubs run a hack on the locaters?”

“Aye sir. I’ll do my best, need to access a secure console in the system,” Tub said.

“Sir, looks like we’re cut off from outside radiation inside this structure—no comms being picked up,” said Macala.

Radawski checked his suit readout and saw that the comms and radiation levels detected were suppressed. Except for the team comms, which were jumping between laser and radio, there wasn’t anything detected. He compared the levels to a milli before when the ship started to emerge and the difference was considerable. “Yeah, we’re shielded in here. The only comms going out are through the wormgate official comms, unless we hack the signal for our own means.”

“Copy that. We’ll use laser when possible,” Guajardo said.

Radawski liked the laser comms. It was possible to have several people speak at the same time, so you didn’t have one person hogging the channel or making you wait for them to finish their thoughts. “Okay, we’re moving, Tubs is going to move to the next point which has a secure console, first team will cover him during his attempts to hack.”

“Team one, on me, moving,” Tub said. His team moved down the hall with him.

“Team two, move up your corridor. Captain, you’re with me, we’re behind team one.”

“All call signs, this net, identify,” said someone on the main open radio frequency.

“We’re not identifying for anyone,” Radawski said on the encrypted comms.

“Understood, sir,” Guajardo said.

“This is Zoob, I’ve got a node here,” said private Zuberi of team two.

“Copy Zoob, hold that area, team one will head over,” Guajardo said. “Team one, relieve team two and run that node, team two will continue on the other team’s track.”

A series of electric acknowledgments popped up on Radawski’s command screen. The two teams would do a dance to switch places. Moments later, the exchange was finished, and team two resumed traveling up team one’s old track.

“This is Tub, we’re in, we’re tracking, I’ve dropped an HF boo on it to keep us in the money.”

“Copy Tubs, move on two’s old track,” Guajardo said. “Signal is good, information looks current.”

Radawski’s screen updated with names and icons tracking the station personnel. A list populated with the names of those people also appeared, then minimized.

“Sir, there’s tracking that will give you prior movements for a specified amount of time if you want it.” Guajardo said. “I’m running that now. Longer tracks means someone was moving with machinery or running. No tracks means they’re stationary or no data.”

“Got it, and… there’s more than ten personnel here?” Radawski knew the standard number was ten. “That’s your radio broadcast earlier – looks like there’s a whole bunch of our people here, sixteen marines holding key positions.” He looked at the name list, which gave ranks and names.

“I see ‘em, sir. Do you want to halt the teams and see if we can find our subject and bypass the friendly but not friendly marines?” Guajardo asked. “Maybe they have the main corridors plugged, but there’s got to be some other routes.”

“Can Tubs do it?” Radawski said.

“Sure, I was considering offloading to him anyway, he’s the best at running solutions with computers.”

All three teams halted under orders from the sergeant and waited for Corporal Tub to find a solution. “I’ve got it, she’s in her cabin, and here’s our route, sending to all now. We’ll need to be stealthy.”

Radawski looked at the location where the subject was. Had she moved recently? He moved the slider bar back a few millidays. She had remained in the exact same spot for several millidays. He pulled the slider back a few more millidays, still nothing. “Sergeant, wait one. Look at the subject’s time tracking for the past few days. Either her tracker is busted, or she doesn’t have a tracker on her, or she’s dead, or incapacitated.”

“Good catch, sir. She hasn’t moved in… since she got here. Not even to use the head. Wait one, let Tubs see if he can get diag on it and maybe find out what’s going on. Tubs, check the subject’s movement history, see why she hasn’t moved in over a thirty-day.”

“Tub copy.”

His reply came a milliday later. “There’s a strong possibility the system may have been tampered with. She’s a spy, we know that, and it looks like she killed the tracking for her and made it tell everyone that she’s in her room. That’d be strange if anyone were checking on her, so it’s possible her bosses know that there’s something stinky in her behavior.”

Radawski’s eyes narrowed and he looked over the data again. “Thanks, corporal. Sergeant, let’s divert to the main control room and hold that for the time being until we can locate the subject.”

“Copy main control room, Tubs, get us a new route to the main control room, and the rest of you remember we’re facing friendly marines, they’re showing as two squads, so control your fire. We don’t know what their intentions are or if they’ve been compromised, so let’s communicate if we run into any green marines.”

A series of positive acknowledgments came up on the command screen. This team knew what to do.

Excel of the damned

A client, one who likes to help out on things, decided to give us an excel file of everything. There’s a lot of entries, several hundred, and apparently he used quickbooks to make the files and then exported them to Excel. This is only a tiny bit better than making us just enter everything by hand.

Important questions:
1. Why import them to Excel at all? There’s no formulas, and it’s all direct formatting from Quickbooks, so if a number is wrong, it’s wrong. No formulas to make sure things are correct.

2. Why does Quickbooks put the total up at the top of each entry instead of the bottom like in normal-world? It looks like this:
3100
2700
400

See that? It’s like that all the way through. I’m used to finding the end of a column to get the totals. And then there’s this:

Rent for lots of something                                     5400
Something 1                                                              1300
Rent                                                                             650
Rent                                                                             650
Something 2                                                              4100
Rent                                                                           4000
        Rent                                                                         2000
Rent                                                                         2000
     Deposit                                                                        100
          Deposit                                                                     100

It’s like that… all the way through. Sometimes, there’s a total of 6 or 7 different things, and I have to hunt down which of the bolded amounts are in that total, because some are subtotals and sub sub totals. All 100 or so pages of transactions are like this. Guess what I get to go through and add formulas, just to check if Quickbooks did it right?

Right now, I have a burning hatred for Quickbooks.  This drives me to cutting.

Someone killed the world’s friendliest cat

We had a cat around my office, a striped tabby named Roy. He’d walk around and he was super friendly and he’d walk into your office, check things out, and then saunter out again. He made a lot of friends around here. On Saturday, he sauntered out onto the main road and someone hit him.

He lived a little while after that, and died in someone’s arms.

The landlady liked him a lot and so did about 25 other people. About 15 people showed up for the cat’s memorial service. Yes. That’s right. More people than were at my father-in-law’s funeral… though he was less likable than a cat, being blind and deaf and dying of cancer/heart disease etc. It’s hard to like humans, whereas a pet is easy, because pets are not complex and don’t have serious issues. Mostly.

Roy’s buried on the property here, with flowers growing over his grave.

Lies Told By Small Presses — A Writer’s Path

Awesome guest post by Steven Capps on A Writer’s Path.  Take a look.

by Steven Capps Like many of my posts, this stems from something I saw in an online writer’s group. Essentially, someone who has been traditionally published from a small press was putting down people who self-publish. Personally, I have my own problems with self-publishing that I discuss in my “Why I’ll Never Self-Publish” post, but […]

via Lies Told By Small Presses — A Writer’s Path

UCLA and my 18 month old

Baby OutlawSo, third born child, Johnny James (“baby outlaw!”), he’s got communications issues, and the teams of doctors (TOD) have diagnosed as pre-autistic. We ask TOD, any programs you know about going on? Sure, there’s this Baby Jasper thing at UCLA, they say. We apply, and our kid took a test which he failed (meaning they think he is or has a high chance of being autistic, but can’t diagnose that until 2 y.o. for some reason), so he’s in the program. The program has been going for 5 years and JJ is the last kid in the program, then they shut down and will write a paper about the whole thing.

People say, “what’s up?” and I tell ’em, Hey Johnny is taking communications at UCLA.

He’s super smart and cute, that boy. Maybe someday he’ll talk. Right now, he’s learning sign. He says some one syllable noises (“Moe” for more, “Moe” for sound of cow, hiss for snake noise, low rumbling noise for dragon growl, and “Up” for everything else.)